He selects the images and presents them to us in their best definition, manipulated, perhaps, as it is taken away from its context, but also reinforcing both the denouncing power of their content and, more importantly, their formal quality, in sum, as a work of art.
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Selecciona la imatge i ens la presenta en la millor definició, manipulada, potser, en arrancar-la del context, per a potenciar, d’una banda, el poder denunciador del contingut, i, d’altra banda, la qualitat formal, d’obra d’art en suma.
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